At MAPP, we invest a lot of intense, purposeful, and rewarding group effort thinking about how literary theory and digital methodology interact in the context of shifting disciplinary pressures within modernist studies and academic humanities in general. We are always asking ourselves how archival theory and digital praxis reinforce one another, while remaining attentive to and engaging the productive tension between theory and praxis in the actual making of MAPP.
Check out this excellent recent article by Matt Huculak about these very issues, which explores how digital modernist projects have “reenergized the field.” MAPP gets a favorable mention, and the Hogarth Press door plate—portal and threshold to our own digital edifice—a pleasing show. Enjoy!
The hand must have trembled. The regular dip of the capital J turned slightly, yet noticeably, to the left as if by some interruption. I had no idea what might have startled the writer, but my mind took to creatively filling the gaps. A mother of three, she must have been deprived of sleep by a particularly late night reading to the kids about the professional horse races she had loved as a child; startled by the sudden entrance of the Welsh bagman, her pen had slipped creating, for my post-millennial eyes, that lopsided enigmatic “J”.